The following newspaper article was published
in the January 28, 1922 morning edition issue of The Waterbury Republican. |
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![]() January 28, 1922 Headlines |
POLI’S MILLION DOLLAR
PALACE THEATER OPENS BRONZE DOORS TODAY. Rich Beauty of Splendid New Playhouse Will Appeal to the Artistic Senses of Every Waterbury Theater-Goer. EVERY PROVISION HAS
BEEN MADE FOR CONVENIENCE OF PATRONS. Only those who go to the Poli’s Palace theater which opens tonight will appreciate its beauty, because words are lacking to describe adequately the architectural grace of its design, the richness of its fittings and the completeness of its furnishings. The broad sweep of the orchestra, the height of the proscenium arch, the colorful play of lights all combine to create a picture of richness, completeness and beauty in theatrical structure and setting which the patron can feel comfortable in. |
For the opening of the Palace, Mrs. Sylvester Z. Poli, wife of the theatrical magnate and owner of the Palace, will occupy the lower box on the right of the auditorium with her guests and immediate family. Mrs. Poli’s three daughters, Adelina Poli McLaughlin, Laurine Poli Noland and Julie Poli Sheehan will be with her, the younger daughter, Miss Lillian, being at school in Rome. She will send her felicitations by cable to her parents Others of Mrs. Poli’s box party will include from New Haven, Mayor and Mrs. David E. Fitzgerald, Col. And Mrs. Charles W. Pickett, Postmaster and Mrs. Philip Troup, Sheriff and Mrs. Thomas L. Reilly, Agnes Reilly, Mr. And Mrs. Alexander Troup and Mrs. Arthur J. Sloane, Mr. and Mrs. Frank H. Smith, Mr. and Mrs. Hugh B. Kennedy, Mr. and Mrs. Frank H. Mason and the Misses Georgie and Grace Troup. |
![]() Sylvester Z. Poli |
From
Waterbury, Mrs. Poli’s box guests will be Mayor and Mrs. Francis P.
Guilfoile, Mrs. Thomas Hayes, Frank Hayes and Mr. and Mrs. John Moriarty
and Miss Marie Bauby. Louis M. Segal, general manage
of the Poli enterprises, will entertain a box party and other guests of
Mr. and Mrs. Poli from New haven include his executive staff, Mr. and
Mrs. P. Alonso, Mr. and Mrs. Richard C. Miller, Mr. and Mrs. Oliver C.
Edwards, Mr. and Mrs. Lewis D. Garvey, Attorney and Mrs. Peter Trenchi,
Mr. Poli’s secretary, P.J. Goode and Mrs. Goode, Mr. and Mrs. Louis A.
Doty, Anna Maresca. |
From New York, James Thatcher, general manager of the Poli Stock enterprises, will head a party of 30 and Al Darling, manager of the Keith’s Royal theater will be in charge of another party. Representatives will be present from the office of George M Cohan and the delegation from the New York picture firms will be one of the largest present. After the evening show, a number of private dinner parties have been arranged for at the Elton and other places with reservations for every dinning room and every room on the hotel already made. |
![]() Poli Palace - 1927 |
The general tone of the entire main ceiling is carried out in warm gray tones and the various moldings forming the panels are executed in harmonizing tones of the same color. All of the plain surfaces in the main ceiling are in gold leaf and the ornamental plaster relief work, picked out in white, gold and sepia tints. The plaster panels are treated in the same manner and the medallions in the ceiling are treated to bring out the rich cameo effect. The vaulted spandrels over the proscenium box arches are made with a solid background and are identical in effect with the Poli’s Capitol, Hartford, prior to this rated as the most artistic effect yet, in theatrical decorations. The entire underside of the balcony is made in the same manner as the ceiling with respect to the paths, color harmonizing tones etc. The first mezzanine promedade ceilings, the ceiling also of the vomitoriums, stair halls, stairs and passages to the boxes are likely treated on a par with a the main ceiling and the plaster walls are treated the same as the auditorium. All the woodwork for the proscenium boxes, the inside fascias of the orchestra boxes rails and all the wood trim in both tiers of boxes is finished in harmonizing grey. SCHEME CARRIED THRUOUT The
ornamented architrave around the proscenium arch, the figure panel at
the key of the proscenium arch and the proscenium arch wainscot panels
carry out the decorative scheme of the main ceiling especially in
reference to the medallions thereon. The
outer lobby and grand lobby ceilings are treated with strong variegated
color and gold in all the panels, the combination of ivory black and
gold being mostly of the Pompelian style.
In the outer and grand lobby all of the panels, cornices, caps,
beams etc. are carried out in the same decorative scheme in relation
likewise to mouldings and ornaments. The
ladies rest rooms on the orchestra and mezzanine floors are finished in
old ivory with a novel silver decoration and the wall panels are covered
with genuine silk brocade. The
first mezzanine doors are birch finished in the natural wood with a
varnished surface. All of
the fire escapes, railings, doors, skylights, window frames, marquise,
water tank frames, fire escape, canopies, ladders etc. are finished
harmonizing colors and the wrought iron door frames and cornices are
executed in a dull bronze to match the metal doors. All of
the exposed pipes in basement under the stage house and dressing room
section, boiler room, coal storage room and basement are asbestos
covered, as well painted with three coats.
DRAPERIES AND CURTAINS The
draperies, hangings, curtains and valances for the Poli Palace exactly
conform to those at Poli’s Capitol in Hartford.
The velour act curtain revels tinted leather appliqué, fringed
edge and tassels. Over the proscenium are valances, box pleated with
appliqué edging and fringe.
The orchestra railing has a velour shirred curtain lined with mercerized
satin and the valances and drapes of a similar order are found in the
two entrances with five pairs of velour drapes with casement lining for
the exits on the lower floor. For the
large opening in the balcony entrance there are velour valances and
drapes and there are mounted valances and drapes for the entrance to the
ladies room on the lower floor.
The same velour effect is carried out for the two openings on
either side of the large balcony entrance and the large opening leading
to the ladies rest room in the balcony.
There are velour valances and drapes for the six circle-head
mirrored windows in the grand lobby and foyer and six valances for the
display cases in the front lobby. For the
five entrance doors to the grand lobby there are silk curtains and for
the windows in the rest room and in the rear of the lower floor. Silk
valances and drapes give an artistic effect to the box office.
These draperies were installed by the L.A. Kichler Co. of
Cleveland O.
PROJECTION
A
motion picture operating room is to a theater what the engine room is to
a ship—the works.
Mr.
Poli is almost a fanatic on the subject of projection for he realizes
that in this day the big sign of progressiveness on the part of the
manager of a playhouse who desires to give the greatest pleasure to his
picture patrons is perfect projection.
The projection room at the Poli Palace is divided into three parts –
reviewing room, where the rewinding of film and the inspection of the
same is made; the rheostat and the switchboard room where in is located
the rheostat and electrical apparatus for the control of the board and
the motion picture booth proper. In addition there is a rest room with
conveniences for the operators.
In the
operating room are many ingenious devices for the first time in any
theater. The equipment of
the booth consists of three special projectors.
High speed revolving shutters eliminate flicker.
Special focusing devices and projection lenses and condensers
built especially for this theater, project a picture free from
unevenness of focus and other distortions prevalent when the customary
stock lens is used.
Realizing that the surface upon which the picture is to be projected is
of paramount importance, a special screen was developed after
considerable experimenting and close observation from large screens
placed in a position to scale and under the same conditions that will
prevail at the Palace. The distance from the screen to the operating
room being so great in the Palace it was deemed advisable to install a
system of lenses so that the operator could see instantly if the picture
is sharply focused. Such a
device has been permanently placed in the front wall of the booth and by
looking thru this, the operator sees a magnificent image of the picture. The
motion picture machines were installed by Chief Electrician James Leverone of the Poli circuit.
THE ORGAN
PALACE PIPE ORGAN IS HALL PRODUCT
FINE INSTRUMENT AT PALACE WAS BUILT IN STATE As Published In The Waterbury
Republican - January 28,
1922 The immense pipe organ in the Palace was built by the Hall Organ Company of Stamford, Connecticut, one of the largest manufacturers of high grade pipe organs in the country, and the instrument contains many unique features introduced and perfected by this company.
The
entire organ is controlled at the console, in the orchestra pit, by
thousands of electric wires, leading to the various units of the
instrument, which are distributed in chambers on both sides of the
proscenium arch.
An
organ is a complicated instrument and the average person does not
realize that in its makeup there are literally thousands of mechanical
appliances which must be used to guide the paths that are the tonal
results, that are the ultimate object in building an organ. To build an
organ of this size requires about six months.
It is usually
thought that the organ consists of the key-desk and the few pipes that
show in the front, with probably a few more pipes in the back of the
case. In this organ there are
over 1700 pipes, every one of which will sound a different tone. None of
the pipes would be any value without the mechanism used to make them
speak their tones.
This
mechanism consists of miles of wire, hundreds of magnets, thousands of
pneumatics, all of which are used to obtain the fine tones from the
pipes.
This organ has four
separate sections or more properly speaking, there are four different
organs, any of which may be used alone, and when combined may be blended
into one complete mass of tone.
The sections are as follows:
The Swell Organ, played from the upper set
of keys, The Great Organ, played from the second set of keys, The
Orchestral Organ, played from the third set, and finally the Pedal
Organ, played with the feet upon the pedal keys.
These four
organs are assembled in four separate swell boxes so named because the
tone “swells” out, when the balanced shutters in the front of the boxes
are opened by means of the pedal shoes, under the control of the
organist. SPRINKLING SYSTEM What is
called the most perfect method of fighting a fire is that which will
operate as soon as a fire starts, will pour water on the heart of the
fire and give the alarm at the same time.
That is just what the sprinkler system at the Poli Palace will do
and Mr. Poli has refrained from depending solely on fire resistive
construction to prevent the spread of fire that might occur, depending
greatly upon the fire fighting activity of automatic sprinklers.
Strictly speaking there is no such thing as absolute fire
presentation and there never can as long as the human element enters
into the care and maintenance of a building. The purpose of those who
know best on this subject is to supply a means to extinguish immediately
upon its inception. It is a
statement of absolute fact that there never has been a single loss of
life by fire or panic in any building equipped with a proper system of
automatic sprinklers.
The
sprinkling system was installed by the M. J. Daly and company of this
city and so perfectly is the equipment arranged that should a fire occur
on the stage, dressing rooms, engine room, in the scenery lofts or
elsewhere the automatic sprinklers will immediately open and pour water
on the fire under pressure and prevent the fire from assuming unusual
proportions at the same time issuing an alarm by means of the ringing of
large gong but what is more important the alarm is immediately received
at the fire department headquarters.
Incidentally in the matter of safety of patrons it might be mentioned
that there are twelve direct exits from the balcony and auditorium
exclusive of the eight doors in the grand lobby. The
entire building is of reinforced concrete and steel with the floor of
the auditorium of wood over reinforced concrete.
The wood making it easy on the feet and more comfortable.
Stand pipes with one hundred feet of hose are located on both
sides of the stage, in the fly galleries, at the sides and rear of the
main and mezzanine floor.
There is a sprinkler system in all dressing rooms, rooms under the
stage, coal storage room, rook under the fly galleries, under the entire
grid iron, paint bridge, entire stage and roof.
There is a sprinkler system over the proscenium arch and a water
curtain directly in front of the asbestos curtain.
On the roof there is a 15,000 gallon tank of water thirty feet
above the roof and 100 feet from the ground.
In a word, the entire theater can be flooded in an instant.
Likewise in every part of the theater proper, front and back
there are fire appliances of every modern kind to conform with the law
despite the 100 percent safety methods installed by Mr. Poli himself.
FIRE INSPECTION TODAY Altho
the Poli Palace, for such is its official name, has been inspected from
time to time by Building Inspector Mraz and Fire Marshall Frank W.
Holland, a final and official inspection will be made today by these two
officials, together with Chief Henry Heitman of the fire department and
Superintendent George M. Beach of the police department.
Chief Robert Hurley of the state police will also be a member of
the party. All of
these officials have from time to time expressed high approval of the
construction of the theater and it was said yesterday that no fault
could be found in any department.
POLI PALACE STAFF
Sylvester Z. Poli is the sole owner of the Palace and his managing
director is Pat F. Luddy.
The assistant manager is Frank D. Barberi and the treasure is Harry
Parsons. The
policy of Poli’s Palace is “quality vaudeville and augmented picture
presentation.” The program
will be continuous from 1 o’clock p.m. daily, commencing Monday. On
Sunday nights concerts will be held from 7 o’clock until 10:30 o’clock. The
seating capacity of the Palace is 3524 divided as follows:
Orchestra 1,900; lower floor boxes 76; balcony 1372; loges 146;
proscenium boxes, 30.
EVERYBODY BUSY Every
member of the Poli staff was busy yesterday and last night getting ready
for the opening today. Mr.
Poli himself was on the job directing many workmen to put the finishing
touch on delicate jobs while Managing Director Liddy was busy with the
interior and other official work.
Throughout the day and late at night scores of scrub women and cleaners
were at work polishing the floors, stairs, so that when the thousands
enter the theater today it will be spotless for their inspection.
Last night for the first time the great sign blazed across East Main
Street, while within the theater every light was tested and found
perfect.
BANQUET FOR MR.POLI Plans
for the Poli banquet at The Elton on Thursday evening, Feb 3 are
practically completed and the tickets are now in the hands of the
various chairmen for distribution.
Reservations can also be made at the Elton and the Chamber of
Commerce offices. Prof.
Luigi Ruggiero will present the bronze tablet, the gift of the Italian
societies, to Mr. Poli on the Poli-Palace theater stage that evening.
This tablet will find a place in the main lobby, and the
committee states it is indeed a fine piece of work in bronze. John
Spain of the Poli forces will be on the speaking program at the banquet,
and his really unusual oratorical powers will make his address a
pleasing one. The complete
list of speakers will be announced shortly, as the various committee
chairmen are selecting the names. ~~THE END
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